Archive(s) référencée(s) (3)
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A Laboratory Theatre : The History of the Embassy / Hume, Elizabeth (2002)
Titre : A Laboratory Theatre : The History of the Embassy Type de document : Livre(s) Identité(s) : Elizabeth Hume Editeur : Londres [Royaume-Uni] : Central School of Speech and Drama Année de publication : 2002 Importance : 1 vol. (20 p.) Présentation : ill. en noir, couv. ill. en noir Format : 29,5 x 21 cm ISBN/ISSN/EAN : 978-0-9537729-9-5 Langues : Anglais (eng) Concepts : [Noms communs] Théâtre expérimental Mots-clés : laboratoire Index. décimale : 14.6 Histoire du théâtre Date de création* : 2002 Permalink : https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=25952 A Laboratory Theatre : The History of the Embassy [Livre(s)] / Elizabeth Hume . - Londres [Royaume-Uni] : Central School of Speech and Drama, 2002 . - 1 vol. (20 p.) : ill. en noir, couv. ill. en noir ; 29,5 x 21 cm.
ISBN : 978-0-9537729-9-5
Langues : Anglais (eng)
Concepts : [Noms communs] Théâtre expérimental Mots-clés : laboratoire Index. décimale : 14.6 Histoire du théâtre Date de création* : 2002 Permalink : https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=25952 Réservation
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Code-barres Cote Support Localisation Section Disponibilité N° Inventaire Donateur / Vendeur / Légataire etc. Fonds (ou collection) auquel appartient cet item aujourd'hui Evénement(s) associé(s) 30020002980508 14.6 HUM Livre Institut International de la Marionnette (Churchill) 1er - Salle Henryk Jurkowski Sur demande - Consultable sur place uniquement
Exclu du prêt Puppetry into Performance : A User's Guide / Francis, Penny ([2000])
Titre : Puppetry into Performance : A User's Guide Type de document : Livre(s) Identité(s) : Penny Francis, préfacier, etc. Editeur : Londres [Royaume-Uni] : Central School of Speech and Drama Année de publication : [2000] Importance : 1 vol. (34 p.) Présentation : ill. en noir, couv. ill. en coul. Format : 29,5 x 21 cm ISBN/ISSN/EAN : 978-0-9537729-4-0 Prix : £5 Langues : Anglais (eng) Concepts : [Rameau] Manipulation -- Marionnettes
[Rameau] Théâtre -- LangageIndex. décimale : 40 Etudes générales Date de création* : 2000 ([2000]) Permalink : https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=25951 Puppetry into Performance : A User's Guide [Livre(s)] / Penny Francis, préfacier, etc. . - Londres [Royaume-Uni] : Central School of Speech and Drama, [2000] . - 1 vol. (34 p.) : ill. en noir, couv. ill. en coul. ; 29,5 x 21 cm.
ISBN : 978-0-9537729-4-0 : £5
Langues : Anglais (eng)
Concepts : [Rameau] Manipulation -- Marionnettes
[Rameau] Théâtre -- LangageIndex. décimale : 40 Etudes générales Date de création* : 2000 ([2000]) Permalink : https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=25951 Réservation
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Exemplaires physiques (1)
Code-barres Cote Support Localisation Section Disponibilité N° Inventaire Donateur / Vendeur / Légataire etc. Fonds (ou collection) auquel appartient cet item aujourd'hui Evénement(s) associé(s) 30020002980509 40 FRA Livre Institut International de la Marionnette (Churchill) 1er - Salle Temporal Sur demande - Consultable sur place uniquement
Exclu du prêt The Rise of Manipulating : The Puppet as a Figure of the Other / Piris, Paul (2011)
Titre : The Rise of Manipulating : The Puppet as a Figure of the Other Type de document : Littérature grise Identité(s) : Paul Piris ; Andrew Lavender, directeur de thèse ; Ayse Tashkiran, directeur de thèse Editeur : Londres [Royaume-Uni] : Central School of Speech and Drama Année de publication : 2011 Importance : 272 p. Présentation : ill. en coul. Format : 21x29,7 cm Langues : Anglais (eng) Concepts : [Identités] Mossoux-Bonté (1985-; Bruxelles, Belgique)
[Identités] Genty, Philippe (1938)
[Identités] Schönbein, Ilka (1958)
[Identités] Tranter, Neville
[Noms communs] Marionnettistes
[Noms communs] ActeursIndex. décimale : 40 Etudes générales Résumé : Since the beginning of the 1980s, artists such as Neville Tranter in the Netherlands, Philippe Genty in France, Ilka Schönbein in Germany and Compagnie Mossoux-Bonté in Belgium have developed a new form of performance that I call manipulacting. By interacting with puppets, performers enter the fictional world of the puppets and appear as their Others. This study argues that manipulacting is a new and distinct form of performance. Although manipulacting combines acting and puppetry, it differs from them because it discloses a human being and an object engaged in a relation of self to Other. Manipulacting is defined by this specific relation and not by a particular aesthetic or technique. The methodology of the thesis is framed by Practice-as-Research from a directorial perspective. The enquiry includes four personal research projects – Seaside (2007-08), Postalgia (2008), Urashima Taro (2007-09) and The Maids (2009-10) – that explore the relations between manipulactors and puppets through different dramaturgical and performative settings, interviews with Neville Tranter, Nicole Mossoux and Duda Paiva, and detailed analyses of Cuniculus (2008) by Tranter and Twin Houses (1994) by Mossoux-Bonté. The thesis proposes two areas of new knowledge. Firstly, it suggests a rethinking of the nature of the puppet and an understanding of it by way of its alterity. It discusses the ontological ambiguity of the puppet in manipulacting, by re-functioning phenomenological aspects of thought developed by Sartre in The Imaginary (1940) and 5 Being and Nothingness (1943), and by Levinas in Totality and Infinity (1961). Secondly, the thesis explores the specificity of manipulacting by looking at representations of the Other developed in dramatic and postdramatic performances. It explores the alterity of the puppet in relation to dramaturgical meaning, as well as the production of ambiguity in performance. It concludes by discussing the core dramaturgical and performative elements that constitute manipulacting. Note de contenu : Bibliographie p. 232 ; index p. 240. Note de Thèse : Thèse universitaire : Central School of Speech & Drama : University of London : 2011 Date de création* : 2011 Type de littérature grise : thèse de doctorat Permalink : https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=36826 The Rise of Manipulating : The Puppet as a Figure of the Other [Littérature grise] / Paul Piris ; Andrew Lavender, directeur de thèse ; Ayse Tashkiran, directeur de thèse . - Londres [Royaume-Uni] : Central School of Speech and Drama, 2011 . - 272 p. : ill. en coul. ; 21x29,7 cm.
Langues : Anglais (eng)
Concepts : [Identités] Mossoux-Bonté (1985-; Bruxelles, Belgique)
[Identités] Genty, Philippe (1938)
[Identités] Schönbein, Ilka (1958)
[Identités] Tranter, Neville
[Noms communs] Marionnettistes
[Noms communs] ActeursIndex. décimale : 40 Etudes générales Résumé : Since the beginning of the 1980s, artists such as Neville Tranter in the Netherlands, Philippe Genty in France, Ilka Schönbein in Germany and Compagnie Mossoux-Bonté in Belgium have developed a new form of performance that I call manipulacting. By interacting with puppets, performers enter the fictional world of the puppets and appear as their Others. This study argues that manipulacting is a new and distinct form of performance. Although manipulacting combines acting and puppetry, it differs from them because it discloses a human being and an object engaged in a relation of self to Other. Manipulacting is defined by this specific relation and not by a particular aesthetic or technique. The methodology of the thesis is framed by Practice-as-Research from a directorial perspective. The enquiry includes four personal research projects – Seaside (2007-08), Postalgia (2008), Urashima Taro (2007-09) and The Maids (2009-10) – that explore the relations between manipulactors and puppets through different dramaturgical and performative settings, interviews with Neville Tranter, Nicole Mossoux and Duda Paiva, and detailed analyses of Cuniculus (2008) by Tranter and Twin Houses (1994) by Mossoux-Bonté. The thesis proposes two areas of new knowledge. Firstly, it suggests a rethinking of the nature of the puppet and an understanding of it by way of its alterity. It discusses the ontological ambiguity of the puppet in manipulacting, by re-functioning phenomenological aspects of thought developed by Sartre in The Imaginary (1940) and 5 Being and Nothingness (1943), and by Levinas in Totality and Infinity (1961). Secondly, the thesis explores the specificity of manipulacting by looking at representations of the Other developed in dramatic and postdramatic performances. It explores the alterity of the puppet in relation to dramaturgical meaning, as well as the production of ambiguity in performance. It concludes by discussing the core dramaturgical and performative elements that constitute manipulacting. Note de contenu : Bibliographie p. 232 ; index p. 240. Note de Thèse : Thèse universitaire : Central School of Speech & Drama : University of London : 2011 Date de création* : 2011 Type de littérature grise : thèse de doctorat Permalink : https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=36826 Réservation
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Exemplaires physiques (1)
Code-barres Cote Support Localisation Section Disponibilité N° Inventaire Donateur / Vendeur / Légataire etc. Fonds (ou collection) auquel appartient cet item aujourd'hui Evénement(s) associé(s) 30020003035153 40 PIR Thèse Institut International de la Marionnette (Churchill) 1er - Littérature grise Sur demande - Consultable sur place uniquement
Exclu du prêt