| Titre : |
Analysis of modern paints |
| Type de document : |
Livre(s) |
| Identité(s) : |
Thomas J.S. Learner, auteur |
| Editeur : |
Los Angeles : Getty conservation institute |
| Année de publication : |
2004 |
| Collection : |
Research in conservation, ISSN 1055-5927 |
| Importance : |
1 vol. (IX-210 p.-[4] p. de pl.) |
| Présentation : |
ill. en noir et coul., tabl., graph. |
| Format : |
28 cm |
| ISBN/ISSN/EAN : |
978-0-89236-779-5 |
| Langues : |
Anglais (eng) |
| Concepts : |
[Rameau]
Peinture (produit chimique) -- Constituants -- Analyse
[Rameau]
Peinture (produit chimique) -- Spectres
[Noms communs]
Matériel d'artistes
|
| Index. décimale : |
16.7 Bricolage, récupération et conservation des matériaux |
| Résumé : |
Although oil remains an important binding medium in artists' paints, today's synthetic resins are being used with increasing frequency. This was true during much of the twentieth century, when artists such as David Alfaro Siqueiros, Jackson Pollock, and Pablo Picasso used commercial or industrial paints based on synthetic resins. The growing popularity of synthetic resin materials carries important implications for the conservation, preservation, and treatment of modern art.
This volume outlines the techniques that are currently employed to analyze the synthetic resins used in modern painting materials, such as pyrolysis-gas chromatography-mass spectrometry, Fourier Transform infrared spectroscopy, and direct temperature-resolved mass spectrometry. For each technique, results are given for standard samples of the principal classes of synthetic binding media, various pigments and extenders, tube paint formulations, and microscopic paint fragments taken from actual works of art.
Primarily intended for conservation scientists, conservators, researchers, and students of conservation, this book will also be of interest to other museum professionals. |
| Note de contenu : |
Contient en annexe une liste internationale de fournisseurs
Glossaire p.185-190
Bibliogr. p.191-200
Index p.203-210 |
| Permalink : |
https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=71707 |
Analysis of modern paints [Livre(s)] / Thomas J.S. Learner, auteur . - Los Angeles : Getty conservation institute, 2004 . - 1 vol. (IX-210 p.-[4] p. de pl.) : ill. en noir et coul., tabl., graph. ; 28 cm. - ( Research in conservation, ISSN 1055-5927) . ISBN : 978-0-89236-779-5 Langues : Anglais ( eng)
| Concepts : |
[Rameau]
Peinture (produit chimique) -- Constituants -- Analyse
[Rameau]
Peinture (produit chimique) -- Spectres
[Noms communs]
Matériel d'artistes
|
| Index. décimale : |
16.7 Bricolage, récupération et conservation des matériaux |
| Résumé : |
Although oil remains an important binding medium in artists' paints, today's synthetic resins are being used with increasing frequency. This was true during much of the twentieth century, when artists such as David Alfaro Siqueiros, Jackson Pollock, and Pablo Picasso used commercial or industrial paints based on synthetic resins. The growing popularity of synthetic resin materials carries important implications for the conservation, preservation, and treatment of modern art.
This volume outlines the techniques that are currently employed to analyze the synthetic resins used in modern painting materials, such as pyrolysis-gas chromatography-mass spectrometry, Fourier Transform infrared spectroscopy, and direct temperature-resolved mass spectrometry. For each technique, results are given for standard samples of the principal classes of synthetic binding media, various pigments and extenders, tube paint formulations, and microscopic paint fragments taken from actual works of art.
Primarily intended for conservation scientists, conservators, researchers, and students of conservation, this book will also be of interest to other museum professionals. |
| Note de contenu : |
Contient en annexe une liste internationale de fournisseurs
Glossaire p.185-190
Bibliogr. p.191-200
Index p.203-210 |
| Permalink : |
https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=71707 |
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16.1 Peinture par pays
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