Titre : |
Mamulengo puppet theatre in the socio-cultural context of Twentieth-century Brazil |
Type de document : |
Littérature grise |
Identité(s) : |
Izabela Costa Brochado ; John McCormick, directeur de thèse |
Editeur : |
Dublin [Irlande] : Trinity College of Dubin |
Année de publication : |
2005 |
Importance : |
794 p. |
Présentation : |
coul. |
Format : |
Document natif numérique - Document imprimé 21x29,7cm |
Langues : |
Anglais (eng) |
Concepts : |
[Rameau]
Théâtre de marionnettes -- Aspect social
[Rameau]
Brésil -- Mamulengo
[Rameau]
Théâtre de marionnettes -- Histoire -- Brésil -- 20e siècle
|
Index. décimale : |
34.1 Histoire de la marionnette à gaine |
Résumé : |
Mamulengo is a popular form of puppet theatre in Pernambuco, a state located in the Northeast region of Brazil. It seems to have originated about two
centuries ago, and even today, it remains a significant form of entertainment for the people of the Northeast region. In this thesis, Mamulengo is approached as a popular puppet theatre tradition formed by a complex system of codes - the ‘Mamulengo language’ - amidst the socio-cultural context of Pernambuco from the late nineteenth century until the beginning of the twenty-first century. Mamulengo both informs and is shaped by the context of its production, expressed through both the texts (plots and linguistic style) and characters (general and specific typologies). This thesis demonstrates that the plots and characters reflect a society resulting from an intense process of miscegenation (of races and cultures), in which hierarchical divisions have been based on race, gender and class distinctions, and consequently, convey the prejudices, tensions and contradictions arising from these distinctions. Mamulengo to some degree encapsulates the diversity of the popular Northeastern traditions, which are the result of centuries of social and cultural exchange between white, Indian and black populations. The puppet theatre, as part of this entire cultural context, is in permanent interchange with these traditional manifestations and thus, their strong influence on the constitution of Mamulengo can be observed. |
Note de contenu : |
Bibliographie p. 382 |
Mode d'acquisition : |
Indéterminé |
Note de Thèse : |
Thèse universitaire : Théâtre : Trinity College Dublin : 2005 |
Date de création* : |
2005 |
Type de littérature grise : |
thèse de doctorat |
Permalink : |
https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=38119 |
Mamulengo puppet theatre in the socio-cultural context of Twentieth-century Brazil [Littérature grise] / Izabela Costa Brochado ; John McCormick, directeur de thèse . - Dublin [Irlande] : Trinity College of Dubin, 2005 . - 794 p. : coul. ; Document natif numérique - Document imprimé 21x29,7cm. Langues : Anglais ( eng)
Concepts : |
[Rameau]
Théâtre de marionnettes -- Aspect social
[Rameau]
Brésil -- Mamulengo
[Rameau]
Théâtre de marionnettes -- Histoire -- Brésil -- 20e siècle
|
Index. décimale : |
34.1 Histoire de la marionnette à gaine |
Résumé : |
Mamulengo is a popular form of puppet theatre in Pernambuco, a state located in the Northeast region of Brazil. It seems to have originated about two
centuries ago, and even today, it remains a significant form of entertainment for the people of the Northeast region. In this thesis, Mamulengo is approached as a popular puppet theatre tradition formed by a complex system of codes - the ‘Mamulengo language’ - amidst the socio-cultural context of Pernambuco from the late nineteenth century until the beginning of the twenty-first century. Mamulengo both informs and is shaped by the context of its production, expressed through both the texts (plots and linguistic style) and characters (general and specific typologies). This thesis demonstrates that the plots and characters reflect a society resulting from an intense process of miscegenation (of races and cultures), in which hierarchical divisions have been based on race, gender and class distinctions, and consequently, convey the prejudices, tensions and contradictions arising from these distinctions. Mamulengo to some degree encapsulates the diversity of the popular Northeastern traditions, which are the result of centuries of social and cultural exchange between white, Indian and black populations. The puppet theatre, as part of this entire cultural context, is in permanent interchange with these traditional manifestations and thus, their strong influence on the constitution of Mamulengo can be observed. |
Note de contenu : |
Bibliographie p. 382 |
Mode d'acquisition : |
Indéterminé |
Note de Thèse : |
Thèse universitaire : Théâtre : Trinity College Dublin : 2005 |
Date de création* : |
2005 |
Type de littérature grise : |
thèse de doctorat |
Permalink : |
https://cataloguedoc.marionnette.com/index.php?lvl=notice_display&id=38119 |
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